Slendid sculptures “Shadow Circus” by Kirsten Stingle
“Storytelling connects us to one another and explains who we are. In an age in which the individual is often alienated, my work attempts to cut through the isolation by presenting common threads of the human experience. Early in my career, a fine arts degree in theater refined my understanding of imagery and taught me to use gestures as powerful expressive tools. However, it is through figurative ceramics that I am able to fully realize my narrative impulse.” -Kirsten Stingle
“While each piece is instantly approachable, closer inspection reveals a world in which the story and inner psyche of the character slowly emerges. The ultimate goal of my work is to create honest depictions of the human quest toward self-revelation and a contemporary identity. Just as we look to our past as a springboard toward a personal vision of the future, I combine found objects and discarded elements from the past with my ceramic work. The mixed media not only creates an intriguing dialogue of materials but also informs the viewer of the scope of the figure’s journey within each narrative.”
I’ve never been female. But I have been black my whole life. I can perhaps offer some insight from that perspective. There are many similar social issues related to access to equal opportunity that we find in the black community, as well as the community of women in a white male dominate society…
When I look at — throughout my life — I’ve known that I wanted to do astrophysics since I was 9 years old…I got to see how the world around me reacted to my expressions of these ambitions. All I can say is, the fact that I wanted to be a scientist, an astrophysicist was hands down the path of most resistance through the forces of society.
Anytime I expressed this interest, teachers would say, ‘Oh, don’t you wanna be an athlete?’ I want to become someone that was outside of the paradigm of expectations of the people in power. Fortunately, my depth of interest of the universe was so deep and so fuel enriched that everyone of these curve balls that I was thrown, and fences built in front of me, and hills that I had to climb, I just reach for more fuel, and I just kept going.
Now, here I am, one of the most visible scientists in the land, and I wanna look behind me and say, ‘Where are the others who might have been this,’ and they’re not there! …I happened to survive and others did not simply because of forces of society that prevented it at every turn. At every turn.
…My life experience tells me that when you don’t find blacks, when you don’t find women in the sciences, I know that these forces are real, and I had to survive them in order to get where I am today.
So before we start talking about genetic differences, you gotta come up with a system where there’s equal opportunity, then we can have that conversation.
50 Incredible Novels Under 200 Pages
When they were built in the 1970s these two gleaming Ohio malls were symbols of the boom years in the U.S., and their wide walkways were filled with shoppers.
Now the verdant foliage that decorated them has died off and the fountains inside are dry as store after store deserted the out-of-town malls.
The demise of the Rolling Acres and and Randall Park Mall have been documented by photographer Seph Lawless, who remembers visiting them when he was a child and even had his first job at one of the them.
Monocasco Concept Bike
The Monocasco Concept Bike is an electric version inspired by the original Ossa Monocasco bike of Santiago Herrero. Reliving the legacy of the legendary Sabtiago, who died racing his Ossa in the 1970 Grand Prix, this bike is a fitting tribute. The story goes that Ossa abandoned racing altogether after this tragedy. - Via
"Can someone check the synthesizer? It sounds weird." (photo via Tim Curtis/Robert Moog Foundation)